Phoenix Tsukino
My 2021 K-Pop Journey

Here’s a list of my review of K-Pop releases in 2021.

Last year, I wanted to really explore K-Pop. Check out everything from my favorites + any artist I had been interested in but hadn’t really taken the time to delve into + all the debuts. And I was going to write out all my thoughts on each release for every month and publish those posts.

Well, obviously that didn’t happen. Why? I mean, it was 2020 and it was a shitty year and I struggled to even keep up with my faves (which is too many as it is).

So, let’s try this again.

{  2020 Top 10 Albums  |  2020 Top 10 MVs  }
{  2019 Top 10 Albums  |  2019 Top 10 MVs  }

January 2021

February 2021

March 2021

April 2021

May 2021

June 2021

eric-nam-daebak:

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[071423] Instagram

ericnam:

👀 first look at the official tracklist for my album, “House on a Hill” coming to you September 8th 🫶 and available to pre-order now!

ALSO!

the talented Em Beihold joins me on a new version of House on a Hill, coming to you all next Friday, July 21st!

which song is speaking to you the most??

#EricNam #에릭남 #HouseonaHill #EmBeihold #NewMusic

thepowderedtoastman:

neil-gaiman:

heresiae:

yesokayiknow:

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‘why are actors striking aren’t they all millionaires’ here’s a paywall free link to an article that mentions how most of the cast of one of netflix’s biggest shows had day jobs bc they couldn’t afford rent

remember that actors are usually not well off at all. forget the big screen famous guys, they’re the very few ones. this strike is for all the other ones, that deserve to have a livable paycheck for their job.

And a note to say that, had Orange is the New Black been on a not-streaming network which paid them residuals each time they screened the show the actors would have done fine or better than fine.

At the start of streaming rules were agreed to let these beginning ways of putting out stories over the web succeed and get established, and letting them not pay actors and writers traditional style residuals was part of what was agreed. They got established. They succeeded. The actors and the writers took the hit.

Streaming actors get screwed ten ways to Sunday. I’m still a part of the Union of BC Performers because I did work when I was young, and for a movie I was in when I was FIVE YEARS OLD, for around 30 SECONDS, in a movie that did poorly, I make more money in residuals than any of the leading actors in OITNB do for all of their hard work as adult professionals. It’s sick, quite frankly, and I for one can’t wait for the WGA and SAG to land lucrative contracts. There’s no way in hell I should get more on my quarterly checks than the talent who worked on a show like that. By the way, once my movie hit Netflix in about 2012, my checks got slashed in half.

vbartilucci:

neil-gaiman:

theconcealedweapon:

socialjusticeinamerica:

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Ruby Bridges is 68. This is not ancient history. Not even close.

I know Ruby. She’s a really nice person. The idea that they would try and write what she did as a girl out of history is shocking to me on so many levels, the simplest of which is just, but don’t they know how lovely she is?

68 is not that old. She’s only been getting social security for three years.

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Here she is.

I wonder how loudly Conservatives would scream if she were interviewed today.

jld-az:

neil-gaiman:

theconcealedweapon:

socialjusticeinamerica:

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Ruby Bridges is 68. This is not ancient history. Not even close.

I know Ruby. She’s a really nice person. The idea that they would try and write what she did as a girl out of history is shocking to me on so many levels, the simplest of which is just, but don’t they know how lovely she is?

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Ruby was in Tucson, AZ last Thanksgiving. I wasn’t able to attend due to illness, but I appreciated the opportunity.